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                <title xml:lang="en-CA" level="m" type="main">Regenerations</title>
                <title xml:lang="en-CA" level="m" type="sub">Canadian Women's Writing</title>
                <title xml:lang="fr-CA" level="m" type="main">Régénérations</title>
                <title xml:lang="fr-CA" level="m" type="sub">Écriture des femmes au Canada</title>
                <editor role="editor">
                    <forename>Marrie</forename>
                    <forename>Carrière</forename>
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                <editor role="editor">
                    <forename>Patricia</forename>
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                    <forename>Susan</forename>
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                    <forename>Mihaela</forename>
                    <forename>Ilovan</forename>
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                    <forename>Ruth</forename>
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                    <orgName>University of Alberta Libraries</orgName>
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                <funder>
                    <orgName>Social Sciences and Humanities Research Council of Canada</orgName>
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                <sponsor><orgName xml:lang="en-CA">Canadian Literature Centre</orgName>/<orgName xml:lang="fr-CA">Centre de littérature canadienne</orgName></sponsor>
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                    <orgName>Implementing New Knowledge Environments</orgName>
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                <edition>Dynamic Table of Contexts edition</edition>
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                        <forename>Duncan</forename>
                        <surname>Turner</surname>
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                    <resp>Indexers: </resp>
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                        <forename>Judy</forename>
                        <surname>Dunlop</surname>
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                    <name><forename>François</forename> Trahan</name>
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                        <forename>MaryLou</forename>
                        <surname>Roy</surname>
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                        <forename>Andrew</forename>
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                        <forename>Samantha</forename>
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                    <orgName role="publisher">University of Alberta Press</orgName>
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                        <addrLine>Ring House 2</addrLine>
                        <addrLine>Edmonton, Alberta, Canada   T6G 2E1</addrLine>
                        <addrLine>www.uap.ualberta.ca</addrLine>
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                <publisher>
                    <orgName role="publisher">Canadian Writing Research Collaboratory</orgName>
                    <address><addrLine>www.cwrc.ca</addrLine></address>
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                <idno type="ISBN">ISBN: 978-1-55195-345-8</idno>
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                    <p>Copyright © 2015 The University of Alberta Press</p>
                    <p>All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise) without prior written consent. Contact the University of Alberta Press for further details.</p>
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                <!-- Source Description, which Andrew uses to generate the table of contents,  needs to be updated with new bibl information: -->
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                    <bibl> <title level="a" type="main">Preface/Préface</title> <author rend="bold"><forename>Marie</forename> <surname>Carrière</surname></author> &amp; <author rend="bold"><forename>Patricia</forename> <surname>Demers</surname></author> </bibl>
                    <listBibl>
                        <head>Au Fil de la Narration</head>
                        <bibl>
                            <title level="a" type="main">Au fill de la narration et des générations</title>
                            <author>
                                <forename>Nicole</forename>
                                <surname>Brossard</surname>
                            </author>
                        </bibl>
                        <bibl>
                            <title level="a" type="main">Women Who Invite Collaboration</title>
                            <title type="sub">Caroline Bergvall, Erín Moure, et al.</title>
                            <author>
                                <forename>Susan</forename>
                                <surname>Rudy</surname>
                            </author>
                        </bibl>
                        <bibl>
                            <title level="a" type="main">A Modernist Commons in Canada/Une commune moderniste au Canada</title>
                            <author>
                                <forename>Dean</forename>
                                <surname>Irvine</surname>
                            </author>
                        </bibl>
                        <bibl><title level="a" type="main">L'apport du concept d'ontologie informatique à l'étude de l'histoire littéraire des femmes au XIXe siècle</title> <author><forename>Chantal</forename> <surname>Savoie</surname></author> &amp; <author><forename>Julie</forename> <surname>Roy</surname></author></bibl>
                    </listBibl>
                    <listBibl>
                        <head>Back to the Future</head>
                        <bibl>
                            <title level="a" type="main">Reclaiming the Past, Nurturing the Future</title>
                            <author>
                                <forename>Rosemary</forename>
                                <surname>Sullivan</surname>
                            </author>
                        </bibl>
                        <bibl>
                            <title level="a" type="main">Du métaféminisme et des histoires au féminin</title>
                            <author>
                                <forename>Marie</forename>
                                <surname>Carrière</surname>
                            </author>
                        </bibl>
                        <bibl>
                            <title level="a" type="main">Gothic Romance in Quebec</title>
                            <title type="sub">Engaging English and French in Nineteenth-Century English-Canadian Fiction by Women</title>
                            <author>
                                <forename>Lindsay</forename>
                                <surname>McMaster</surname>
                            </author>
                        </bibl>
                        <bibl>
                            <title level="a" type="main">Readers Reading Margaret Laurence, 1965–1980</title>
                            <author>
                                <forename>Cinda</forename>
                                <surname>Gault</surname>
                            </author>
                        </bibl>
                    </listBibl>
                    <listBibl>
                        <head>Des contextes minoritaires</head>
                        <bibl>
                            <title level="a" type="main">Être écrivaine en contexte minoritaire franco-canadien (1970–1985)</title>
                            <author>
                                <forename>Lucie</forename>
                                <surname>Hotte</surname>
                            </author>
                        </bibl>
                        <bibl>
                            <title level="a" type="main">Crooked Ribs, Modern Martyrs, and Dull Days</title>
                            <title type="sub">Recovering Hidden Prince Edward Island Women through Their Life Writing</title>
                            <author>
                                <forename>Mary</forename>
                                <surname>McDonald-Rissanen</surname>
                            </author>
                        </bibl>
                        <bibl>
                            <title level="a" type="main">Common Measure</title>
                            <title type="sub">“Folk Poetry” and the Scandal of Canadian Literature</title>
                            <author>
                                <forename>Gary</forename>
                                <surname>Kelly</surname>
                            </author>
                        </bibl>
                        <bibl>
                            <title level="a" type="main">Recuperating Oblivion in <title level="m">The Displaced View (1988)</title></title>
                            <title type="sub">Midi Onodera’s Intercultural Feminist Experimental Cinematic Polyphony</title>
                            <author>
                                <forename>Sheena</forename>
                                <surname>Wilson</surname>
                            </author>
                        </bibl>
                    </listBibl>
                    <listBibl>
                        <head>Women in Movement</head>
                        <bibl>
                            <title level="a" type="main">Publishing and Women in Movement</title>
                            <title type="sub">Changing the Game</title>
                            <author>
                                <forename>Louise</forename>
                                <surname>Dennys</surname>
                            </author>
                        </bibl>
                        <bibl>
                            <title level="a" type="main">"To Get In Behind the Curtain"</title>
                            <title type="sub">Miriam Green Ellis’s Travels and Tales</title>
                            <author>
                                <forename>Patricia</forename>
                                <surname>Demers</surname>
                            </author>
                        </bibl>
                        <bibl>
                            <title level="a" type="main">Catherine Mavrikakis</title>
                            <title type="sub">La force de penser (chaque jour)</title>
                            <author>
                                <forename>Maïté</forename>
                                <surname>Snauwaert</surname>
                            </author>
                        </bibl>
                        <bibl>
                            <title level="a" type="main">This is What a Public Intellectual Looks Like</title>
                            <title type="sub">Dorothy Livesay’s Housewife Years and the Public Sphere</title>
                            <author>
                                <forename>Shauna</forename>
                                <surname>Lancit</surname>
                            </author>
                        </bibl>
                    </listBibl>
                    <bibl><title level="a" type="main">Afterword</title> <author>Susan Brown</author> &amp; <author><forename>Mary-Jo</forename> <surname>Romaniuk</surname></author></bibl>
                    <bibl>
                        <title level="a" type="main">Contributors/Collaborateurs</title>
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                    <!-\- Life tagset: -\->
                    <category xml:id="class_issue">
                        <catDesc>Encodes discussion related to class.</catDesc>
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                    <category xml:id="nationality_issue">
                        <catDesc>Encodes passages discussing nationality.</catDesc>
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                        <catDesc>Encloses significant statements about where books were published.</catDesc>
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                        <catDesc> Encodes information about reprinting a work in collections with work by other people.</catDesc>
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                        <catDesc>Refers to a non-textual work or non-textual packaging of a written work.</catDesc>
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                    <!-\-  Textual Features tagset: -\->

                    <category xml:id="genre">
                        <!-\- List below is tentatively replaced with the CWRC primary genres. User testing will tell if this is a good alternative for this collection  -\->
                       <!-\- 
                        <catDesc xml:id="adaptation">Adaptation</catDesc>
                        <catDesc xml:id="afterword">Afterword</catDesc>
                        <catDesc xml:id="allegory">Allegory</catDesc>
                        <catDesc xml:id="annotation">Annotation</catDesc>
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                        <catDesc xml:id="epic">Epic</catDesc>
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                        <catDesc xml:id="parody">Parody</catDesc>
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                        <catDesc xml:id="propoganda">Propaganda</catDesc>
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                        <catDesc xml:id="short_story">Short Story</catDesc>
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                        <catDesc xml:id="sonnet">Sonnet</catDesc>
                        <catDesc xml:id="tragedy">Tragedy</catDesc>
                        <catDesc xml:id="translation">Translation</catDesc>
                        <catDesc xml:id="treatise">Treatise</catDesc>
                        <catDesc xml:id="young_adult_writing">Young Adult Writing</catDesc>-\->
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                    <category xml:id="genre_music"><catDesc>Music</catDesc></category>
                    <category xml:id="genre_novel"><catDesc>Novel</catDesc></category>
                    <category xml:id="genre_non-ficion"><catDesc>Non-fiction</catDesc></category>
                    <category xml:id="genre_poetry"><catDesc>Poetry</catDesc></category>
                    <category xml:id="genre_performance"><catDesc>Performance</catDesc></category>
                    <category xml:id="genre_short_story"><catDesc>Short story</catDesc></category>
                    <category xml:id="genre_scholarlyWriting"><catDesc>Scholarly writing </catDesc></category>
                    <category xml:id="genre_issue">
                        <catDesc>Encodes discussions of disputable generic allegiance or unusual generic mixtures.</catDesc>
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                    <category xml:id="voice_or_narration">
                        <catDesc>Encodes discussion of narrative techniques.</catDesc>
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                    <category xml:id="textual_strategies">
                        <catDesc>Rhetorical and discursive effects.</catDesc>
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                    <category xml:id="characterization">
                        <catDesc>Encodes discussions of fictional characters.</catDesc>
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                    <category xml:id="intertextuality">
                        <catDesc>Encodes discussion of gestures in a text towards other texts. Includes exchange, debate, rivalries, influence of one writer on another.</catDesc>
                    </category>
                    <category xml:id="theme_or_topic">
                        <catDesc>Encodes both theme (concepts central to a particular text) and topic (subjects of less central weight).</catDesc>
                    </category>
                    <category xml:id="motif">
                        <catDesc>Encodes a recurring element that has symbolic significance.</catDesc>
                    </category>
                    <!-\-  Reception tagset: -\->
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                        <catDesc>Encodes time frame of a literary response to a work.</catDesc>
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                    <category xml:id="response_re-evaluation">
                        <catDesc>Encodes a response that is a re-evaluation of a literary work.</catDesc>
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                    <category xml:id="response_formal">
                        <catDesc>Encodes a formal response to a literary work (e.g. a review).</catDesc>
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                        <catDesc>Encodes an informal response to a literary work (e.g. a comment or a letter).</catDesc>
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                    <category xml:id="response_gendered">
                        <catDesc>Indicates whether or not a literary response is predicated on the writer's gender.</catDesc>
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                    <category xml:id="recognitions">
                        <catDesc>Encodes material about acclaim offered to literary works, usually in the form of awards and prizes.</catDesc>
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                    <category xml:id="censorship">
                        <catDesc>Encodes discussion of censorship.</catDesc>
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                    <!-\-  Critcal Interpretation tagset: -\->
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                        <catDesc>Encodes statements about larger issues of cultural authority.</catDesc>
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                    <category xml:id="economics">
                        <catDesc>Encodes material related to wealth, power, etc.</catDesc>
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                    <category xml:id="men_writing">
                        <catDesc>Discussions of male writing as gendered, or as a tradition (not all discussions of writing by men).</catDesc>
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                        <catDesc>Discussions of women's writing as gendered, or as a tradition (not all discussions of writing by women).</catDesc>
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                        <catDesc>Encodes discussion of literary communities and their influences on intellectual history. </catDesc>
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                        <catDesc>Encodes discussion of social movements.</catDesc>
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                    <category xml:id="close_reading">
                        <catDesc>Encodes passages of close reading.</catDesc>
                    </category>
                    <category xml:id="methodology">
                        <!-\- Should we create subcategories for methodology? Or include these methodological approaches as categories in 'genre'? -\->
                        <catDesc>Encodes discussion of someone's methodological approach, or that of another critic. Methodological categories include: feminist, Canadianist, new historical, deconstructionist, psychoanalytic, globalism, post-colonialism, sustainability, etc.</catDesc>
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            <titlePage>
                <docTitle xml:lang="en-CA">
                    <titlePart type="main">Regenerations</titlePart>
                    <titlePart type="sub">Canadian Women's Writing</titlePart>
                </docTitle>
                <docTitle xml:lang="fr-CA">
                    <titlePart type="main">Régénérations</titlePart>
                    <titlePart type="sub">Écriture des femmes au Canada</titlePart>
                </docTitle>
                <byline><docAuthor>Marie Carrière</docAuthor> &amp; <docAuthor>Patricia Demers</docAuthor>, <roleName xml:lang="en-CA">Editors</roleName>/<roleName xml:lang="fr-CA">Directrices</roleName></byline>
                <docImprint>
                    <publisher>The University of Alberta Press</publisher>
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            <titlePage>
                <docEdition>
                    <s>Published by:</s>
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                        <publicationStmt>
                            <publisher>The University of Alberta Press</publisher>
                            <address>
                                <addrLine>Ring House 2</addrLine>
                                <addrLine>Edmonton, Alberta, Canada T6G 2E1</addrLine>
                                <addrLine>www.uap.ualberta.ca</addrLine>
                            </address>
                            <availability>
                                <p>Copyright © 2015 The University of Alberta Press</p>
                            </availability>
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                        <notesStmt>
                            <note>
                                <p>Library and Archives Canada Cataloguing in Publication</p>
                                <p>Regenerations : Canadian women's writing = Régénérations : écriture des femmes au Canada / Marie Carrière &amp; Patricia Demers, editors/directrices.</p>
                                <p>Includes bibliographical references and index.</p>
                                <p>Issued in print and electronic formats.</p>
                                <p>Text chiefly in English; some text in French.</p>
                                <p>ISBN 978-0-88864-627-9 (pbk.).—ISBN 978-1-77212-026-4 (epub).—</p>
                                <p>ISBN 978-1-77212-027-1 (Amazon kindle).—ISBN 978-1-77212-028-8 (pdf)</p>
                                <p> 1. Canadian literature (English)-Women authors-History and criticism.</p>
                                <p>2. Canadian literature (French)-Women authors-History and criticism. I. Carrière, Marie J., 1971–, author, editor II. Demers, Patricia, 1946–, author, editor III. Title: Régénérations.</p>
                                <p>PS8089.5.W6R436 2014</p>
                                <p>C810.9'9287</p>
                                <p>C2014-905233-2</p>
                                <p>C2014-905234-0</p>
                            </note>
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                        <sourceDesc>
                            <p>Index available in print, PDF and DToC editions.</p>
                            <p>ISBN 978-088864-627-9 print edition</p>
                            <p>ISBN 978-177212-028-8 PDF edition</p>
                            <p>ISBN 978-177212-026-4 ePub edition</p>
                            <p>First edition, print, PDF, ePub and Amazon Kindle, 2014.</p>
                            <p>First Dynamic Table of Contexts edition, 2015.</p>
                            <p>ISBN 978-1-55195-345-9 DToC edition. Vesrion 1.0</p>
                        </sourceDesc>

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                                    <forename>Susan</forename>
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                                <name>
                                    <forename>Mihaela</forename>
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                                    <forename>Judy</forename>
                                    <surname>Dunlop</surname>
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                                <name><forename>François</forename> Trahan</name>
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                                <p>All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise) without prior written consent. Contact the University of Alberta Press for further details.</p>
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                            <note>The University of Alberta Press gratefully acknowledges the support received for its publishing program from The Canada Council for the Arts. The University of Alberta Press also gratefully acknowledges the ﬁnancial support of the Government of Canada through the Canada Book Fund (CBF) and the Government of Alberta through the Alberta Media Fund (AMF) for its publishing activities.</note>
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        <back>
            
            <div type="contributors">
                <head><hi xml:lang="en-CA" rend="italic">Contributors</hi> / <hi xml:lang="fr-CA">Collaborateurs</hi></head>
                <p xml:id="p985" xml:lang="fr-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/7387642">Nicole Brossard</persName></hi> est poète, romancière et essayiste. Elle est née à <placeName cert="definite" ref="http://www.geonames.org/6077243">Montréal</placeName>. Depuis <date cert="definite" when="1965">1965</date>, elle a publié une trentaine de livres dont <title level="m" cert="definite" ref="http://viaf.org/viaf/202967649">Le Désert mauve</title>, <title level="m" cert="definite" ref="http://viaf.org/viaf/307029645">Musée de l’os et de l’eau, La lettre aérienne</title> ainsi qu’une <title level="m">Anthologie de la poésie des femmes au <placeName cert="definite" ref="http://www.geonames.org/6115047">Québec</placeName></title> (avec <persName cert="definite" ref="http://viaf.org/viaf/94503924">Lisette Girouard</persName>) et <title level="m">Poèmes à dire la francophonie</title> (<date cert="definite" when="2002">2002</date>). Sa poésie a influencé toute une génération de poètes. <ref target="#recognitions">Ses livres sont traduits en plusieurs langues et son œuvre a été célébrée par de nombreux prix littéraires majeurs dont le Prix du Gouverneur général en <date cert="definite" from="1974" to="1984">1974 et 1984</date> et le prix Athanase-David.</ref> Son plus récent recueil est <title level="m" cert="definite" ref="http://viaf.org/viaf/305371880">Piano blanc</title>.</p>
                <p xml:id="p986" xml:lang="en-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/171626610">Susan Brown</persName></hi> is professor of English at the <orgName cert="definite" ref="http://viaf.org/viaf/125486960">University of Guelph</orgName> and visiting professor at the <orgName cert="definite" ref="http://viaf.org/viaf/147166987">University of Alberta</orgName>. Her research interests include the digital humanities, Victorian literature, and women’s writing. All of these interests inform <title level="m"><orgName>Orlando: Women’s Writing in the British Isles from the Beginnings to the Present</orgName></title>, an ongoing experiment in digital literary history published online by <orgName cert="definite" ref="http://viaf.org/viaf/127979069">Cambridge University Press</orgName> since <date cert="definite" when="2006">2006</date> that she directs and co-edits. She leads the <orgName>Canadian Writing Research Collaboratory</orgName> infrastructure project.</p>
                <p xml:id="p987" xml:lang="fr-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/120027154">Marie Carrière</persName></hi> est directrice du <orgName cert="definite" ref="http://viaf.org/viaf/145376209" sameAs="Canadian Literature Centre">Centre de littérature canadienne</orgName> à l’<orgName cert="definite" ref="http://viaf.org/viaf/147166987" sameAs="University of Alberta">Université de l’Alberta</orgName>, où elle enseigne aussi la littérature québécoise, française et comparée. Elle a publié récemment <title level="m">Médée protéiforme</title> (<date cert="definite" when="2012">2012</date>) aux <orgName cert="definite" ref="http://viaf.org/viaf/135965961" sameAs="University of Ottawa Press">Presses de l’Université d’Ottawa</orgName>. Carrière mène des recherches sur l’écriture contemporaine des femmes, l’évolution de la pensée féministe ainsi que l’éthique en littérature.</p>
                <p xml:id="p988" xml:lang="en-CA"><ref target="#recognitions"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/56665698">Patricia Demers</persName></hi>, Distinguished University Professor in the Department of English and Film Studies and the Comparative Literature Program at the <orgName cert="definite" ref="http://viaf.org/viaf/147166987">University of Alberta</orgName>, has received numerous awards for her research and teaching.</ref> The author or editor of seventeen books and over fifty articles, she has served in senior positions with the <orgName cert="definite" ref="http://viaf.org/viaf/150876296" sameAs="Social Sciences and Humanities Research Council">Social Sciences and Humanities Research Coucil</orgName> and the <orgName cert="definite" ref="http://viaf.org/viaf/159113084">Royal Society of Canada</orgName>.</p>
                <p xml:id="p989" xml:lang="en-CA"><hi rend="small-caps"><persName>Louise Dennys</persName></hi> is executive publisher, <orgName>Knopf Random Vintage Canada Publishing Group</orgName>, and executive vice-president, <orgName cert="definite" ref="http://viaf.org/viaf/311379199" sameAs="Random House of Canada">Random House of Canada Limited</orgName>. <ref target="#recognitions">She is a recipient of the Order of Canada for her contribution to Canadian culture; a recipient of the Queen’s Diamond Jubilee Medal; and most recently the <date cert="definite" when="2013">2013</date> winner of the Ivy Award for her contribution to Canadian publishing and writers.</ref> She is a Doctor of Civil Law, <hi rend="italic" xml:lang="la-150">honoris causa</hi>, <orgName cert="definite" ref="http://viaf.org/viaf/131293372">Bishop’s University</orgName>, and a past president of <orgName cert="definite" ref="http://viaf.org/viaf/172689641"><hi rend="small-caps">PEN</hi> Canada</orgName>.</p>
                <p xml:id="p990" xml:lang="en-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/33915041">Cinda Gault</persName></hi> teaches at the <orgName cert="definite" ref="http://viaf.org/viaf/125486960">University of Guelph</orgName>. In <date cert="definite" when="2012">2012</date>, she published <title level="m">National and Female Identity in Canadian Literature, <date cert="definite" from="1965" to="1980">1965–1980</date></title>. <ref target="#health_issue"><ref target="#gender_issue">Her new project, <title level="m">Abortion in Canadian Literature</title>, analyzes <placeName cert="definite" ref="http://www.geonames.org/6251999">Canada</placeName>’s story of abortion over the twentieth century. From the mid-twentieth century to contemporary times, we see a nation and its writers wrestle with an issue that signifies myriad meanings in a changing culture.</ref></ref></p>
                <p xml:id="p991" xml:lang="fr-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/32220127">Lucie Hotte</persName></hi> est vice-doyenne à la recherche à la faculté des arts de l’<orgName cert="definite" ref="http://viaf.org/viaf/149530551" sameAs="University of Ottawa">Université d’Ottawa</orgName> où elle est aussi titulaire de la Chaire de recherche sur les cultures et les littératures francophones du <placeName cert="definite" ref="http://www.geonames.org/6251999">Canada</placeName> et professeure titulaire au département de français. Ses recherches portent surtout sur les théories de la lecture, les littératures minoritaires et l’écriture des femmes. <ref target="#response_formal">Elle s’intéresse aussi à la réception critique des œuvres d’écrivains marginaux.</ref> Elle a beaucoup publié sur les littératures franco-canadiennes et les enjeux institutionnels propres aux littératures minoritaires.</p>
                <p xml:id="p992" xml:lang="en-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/56891114">Dean Irvine</persName></hi> is director of <orgName>Editing Modernism in Canada/<hi xml:lang="fr-CA">Édition du modernisme au Canada</hi></orgName> and associate professor in the Department of English at <orgName cert="definite" ref="http://viaf.org/viaf/127757839">Dalhousie University</orgName>. He is the author of <title level="m">Editing Modernity: Women and Little-Magazine Cultures in <placeName cert="definite" ref="http://www.geonames.org/6251999">Canada</placeName>, <date cert="definite" from="1916" to="1956">1916–1956</date></title>, and editor of <title level="m">The Canadian Modernists Meet</title>; <title level="m">Heresies: The Complete Poems of <persName cert="definite" ref="http://viaf.org/viaf/66513221">Anne Wilkinson</persName>, <date cert="definite" from="1924" to="1961">1924–1961</date></title>; and <title level="m">Archive for Our Times: Previously Uncollected and Unpublished Poems of <persName cert="definite" ref="http://viaf.org/viaf/116854541">Dorothy Livesay</persName></title>. With <persName cert="definite" ref="http://viaf.org/viaf/93165633">Zalig Pollock</persName> and <persName cert="definite" ref="http://viaf.org/viaf/32010922">Sandra Djwa</persName>, he is a general editor of the Collected Works of <persName cert="definite" ref="http://viaf.org/viaf/59208470">P.K. Page</persName> and its online companion, <title level="m">The Digital Page</title>.</p>
                <p xml:id="p993" xml:lang="en-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/110237888">Gary Kelly</persName></hi>, at the <orgName cert="definite" ref="http://viaf.org/viaf/147166987">University of Alberta</orgName>, has published books and essays on and editions of the eighteenth-century Bluestocking circle and women writers of Revolution and Romanticism in <placeName cert="reasonably certain" ref="http://www.geonames.org/2648147">Britain</placeName> and the American republic. He has also written on the Romantic novel and Newgate literature and is general editor of the multivolume <title level="m">Oxford History of Popular Print Culture</title>. He is working on a history of British Romanticism; Romantic chronotopes; and women, learning, and lore in Romantic Britain. </p>
                <p xml:id="p994" xml:lang="en-CA"><hi rend="small-caps"><persName>Shauna Lancit</persName></hi> is writing a dissertation on the public intellectual contributions of <persName cert="definite" ref="http://viaf.org/viaf/56774589">Pauline Johnson</persName>, <persName cert="definite" ref="http://viaf.org/viaf/116854541">Dorothy Livesay</persName>, and <persName cert="definite" ref="http://viaf.org/viaf/61584279">Dionne Brand</persName>. Her writing, which theorizes and fantasizes the relationships between intellectual work, poetics, and publics, has appeared in <title level="j">Open Letter</title>, <title level="j">Tessera</title>, and <title level="j">Fireweed</title>, in numerous zines, and in the form of public performance. <ref target="#methodology">She wrote her contribution to this collection mostly during her son’s nap time.</ref></p>
                <p xml:id="p995" xml:lang="en-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/305358828">Mary McDonald-Rissanen</persName></hi> traces her roots back to <placeName cert="definite" ref="http://www.geonames.org/6113358">Prince Edward Island</placeName> where she was born, brought up, completed her earlier degrees, and now spends her summers. For the rest of the year, Mary teaches English at the <orgName cert="probable" ref="http://viaf.org/viaf/122610343" sameAs="Tampereen yliopisto">University of Tampere</orgName> (<placeName cert="definite" ref="http://www.geonames.org/660013">Finland</placeName>) where she defended her doctoral dissertation on early women’s life writing. Mary’s archival research on ordinary PEI women’s diaries has culminated in her new book, <title level="m">In the Interval of the Wave: Prince Edward Island Women’s Nineteenth- and Early Twentieth-Century Life Writing</title> (<orgName cert="definite" ref="http://viaf.org/viaf/141809819">McGill-Queen’s University Press</orgName>, <date cert="definite" when="2013">2013</date>).</p>
                <p xml:id="p996" xml:lang="en-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/36720142">Lindsey McMaster</persName></hi> teaches in the Department of English Studies at <orgName cert="definite" ref="http://viaf.org/viaf/124254622">Nipissing University</orgName>. Her research and teaching focus on early Canadian literature, especially the works of women writers and the genre of Canadian gothic. <ref target="#representation_of_women">Her book, <title level="m">Working Girls in the West: Representations of Wage-Earning Women</title> (<date cert="definite" when="2007">2007</date>), examines depictions of women in <placeName cert="definite" ref="http://www.geonames.org/6251999">Canada</placeName>’s workforce, focusing on writers such as <placeName cert="definite" ref="http://www.geonames.org/6077243">Montreal</placeName>’s <persName cert="definite" ref="http://viaf.org/viaf/105426589">J.G. Sime</persName> and turn-of-the-century prostitute <persName>Madeleine Blair</persName>.</ref> She has also published on gothic dimensions in the works of <persName cert="definite" ref="http://viaf.org/viaf/27203212">L.M. Montgomery</persName>.</p>
                <p xml:id="p997" xml:lang="en-CA"><hi rend="small-caps"><persName>Mary-Jo Romaniuk</persName></hi> is an adjunct professor at the <orgName cert="definite" ref="http://viaf.org/viaf/148870312" sameAs="University of Alberta. School of Library and Information Studies">School of Library and Information Studies, University of Alberta</orgName> while at the <orgName cert="definite" ref="http://viaf.org/viaf/135889690" sameAs="University of Southern California. Library">University of Southern California Libraries</orgName> and <orgName cert="definite" ref="http://viaf.org/viaf/128158107">Marshall School of Business</orgName>. Prior to her current positions she was chief librarian (acting) at the <orgName cert="definite" ref="http://viaf.org/viaf/147166987">University of Alberta</orgName>, having previously been associate university librarian—Information and Financial Resources. <ref target="#technology">At that time, she first engaged with the <orgName>Canadian Writing Research Collaboratory</orgName> initiatives and this project. She is committed to fostering and preserving traditional formats for scholarly publication while exploring innovative interfaces and technologies that expand the reach and interactivity of scholarship and scholarly communication.</ref></p>
                <p xml:id="p998" xml:lang="fr-CA"><ref target="#recognitions"><hi rend="small-caps"><persName cert="reasonably certain" ref="http://viaf.org/viaf/58502465">Julie Roy</persName></hi> a obtenu le Prix de la Chaire d’étude Claire-Bonenfant sur la condition des femmes en <date cert="definite" when="2004">2004</date> pour sa thèse de doctorat intitulée <title level="m">Stratégies épistolaires et écritures féminines : Les Canadiennes à la conquête des lettres (<date cert="definite" from="1639" to="1839">1639–1839</date>)</title>.</ref> Ses recherches post-doctorales ont porté sur l’histoire littéraire des femmes, la presse et la formation des couventines et elle a codirigé le projet <title level="m">Histoire littéraire des femmes : stratégies de légitimation et principes de filiation (<date cert="definite" from="1837" to="1882">1837–1882</date>)</title> (<hi rend="small-caps"><orgName cert="definite" ref="http://viaf.org/viaf/150876296" sameAs="Social Sciences and Humanities Research Council">CRSH</orgName></hi>, <date cert="definite" from="2006" to="2011">2006–2011</date>). Elle est archiviste à <orgName cert="definite" ref="http://viaf.org/viaf/122051864" sameAs="Library and Archives Canada">Bibliothèque et Archives Canada</orgName> depuis <date cert="definite" when="2007">2007</date>.</p>
                <p xml:id="p999" xml:lang="en-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/51948730">Susan Rudy</persName></hi> is a literary critic and feminist theorist whose research focuses on the connections between feminist theory and women’s lives. On extended leave from her position as professor of English at the <orgName cert="definite" ref="http://viaf.org/viaf/143270900">University of Calgary</orgName>, she is currently director of <orgName>The Rhodes Project</orgName> in <placeName cert="definite" ref="http://www.geonames.org/2643741">London</placeName> and visiting research fellow, <orgName cert="probable" ref="http://viaf.org/viaf/131406935" sameAs="Institute of English Studies">Institute of English Studies, School of Advanced Study, University of London</orgName>. <ref target="#gender_issue">Her current research includes, with <persName cert="definite" ref="http://viaf.org/viaf/226167868">Kate Blackmon</persName> (<orgName cert="definite" ref="http://viaf.org/viaf/151630447" sameAs="Saïd Business School">Said School of Business, University of Oxford</orgName>), a forthcoming <orgName cert="definite" ref="http://viaf.org/viaf/140705396">Oxford University Press</orgName> book on the gender gap in leadership. See <title level="a"><q>and you think you have it all mapped out</q>: Women Rhodes Scholars’ Work-Life Identity Narratives</title> (<ref target="http://rhodesproject.com/publications/">http://rhodesproject.com/publications/</ref>)<!--<a id="Anchor-124"/> MWVI: not sure where it came from; preceding url should be surrounded by a ref tag-->.</ref> </p>
                <p xml:id="p1000" xml:lang="fr-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/105437213">Chantal Savoie</persName></hi> est professeure au département d’études littéraires de l’<orgName cert="definite" ref="http://viaf.org/viaf/148525754">Université du Québec à Montréal</orgName> et chercheure au <orgName cert="definite" ref="http://viaf.org/viaf/145371179">Centre de recherche interuniversitaire sur la littérature et la culture québécoises</orgName> (<hi rend="small-caps">CRILCQ</hi>). Elle fait partie du collectif qui rédige la série <title level="m">La vie littéraire au <placeName cert="definite" ref="http://www.geonames.org/6115047">Québec</placeName></title> (<orgName cert="definite" ref="http://viaf.org/viaf/125659869">Presses de l’Université Laval</orgName>, six tomes parus) et elle s’intéresse principalement aux pratiques littéraires des femmes et à leur place dans le champ littéraire canadien-français, de même qu’à la culture de grande consommation.</p>
                <p xml:id="p1001" xml:lang="fr-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/125077482">Maïté Snauwaert</persName></hi>, professeure adjointe à l’<orgName cert="definite" ref="http://viaf.org/viaf/147166987" sameAs="University of Alberta">Université de l’Alberta</orgName>, s’intéresse au vieillissement, au deuil et à la fin de la vie dans la littérature française, canadienne et américaine. Son ouvrage <title level="m"><persName cert="reasonably certain" ref="http://viaf.org/viaf/19716623">Philippe Forest</persName>, la littérature à contretemps</title> (<orgName>Éditions Cécile Defaut</orgName>, <date cert="definite" when="2012">2012</date>) est la première monographie sur un écrivain français dont l’œuvre s’inspire de l’expérience de la perte d’un enfant. À ses publications s’ajoutent la direction et codirection de numéros spéciaux sur <persName cert="definite" ref="http://viaf.org/viaf/10365">Marguerite Duras</persName> (<title level="j" xml:lang="en-CA">Dalhousie French Studies</title> 95, <date cert="definite" when="2011">2011</date>) et <persName cert="definite" ref="http://viaf.org/viaf/17233743">Sophie Calle</persName> (<title level="j">Intermédialités</title> 7, <date cert="definite" when="2006">2006</date>). Chroniqueuse pour <title level="j">Lettres québécoises</title>, elle collabore aussi à la revue culturelle <title level="j">Spirale</title>.</p>
                <p xml:id="p1002" xml:lang="en-CA"><hi rend="small-caps"><persName cert="definite" ref="http://viaf.org/viaf/7436967">Rosemary Sullivan</persName></hi>, OC, is the author of thirteen books, including biographies of <persName cert="definite" ref="http://viaf.org/viaf/46814469">Elizabeth Smart</persName>, <persName cert="definite" ref="http://viaf.org/viaf/115290827">Gwendolyn MacEwen</persName>, <persName cert="definite" ref="http://viaf.org/viaf/109322990">Margaret Atwood</persName>, and the collective biography, <title level="m" cert="definite" ref="http://viaf.org/viaf/308575187">Villa Air-Bel: <listEvent> <event> <label>World War II</label> </event> </listEvent>, Escape, and a House in Marseille</title>. <ref target="#recognitions">She has won numerous prizes for her books, including the Governor General’s Award for Non-fiction, the <placeName cert="definite" ref="http://www.geonames.org/6167865">Toronto</placeName> Book Award, and the Yad Vashem Canadian Book Prize. She worked as the director of Literary Journalism at the <orgName cert="definite" ref="http://viaf.org/viaf/157249450">Banff Centre for the Arts</orgName>, and has held Trudeau, Jackman, and Guggenheim Fellowships.</ref></p>
                <p xml:id="p1003" xml:lang="en-CA"><hi rend="small-caps"><persName cert="reasonably certain" ref="http://viaf.org/viaf/308227105">Sheena Wilson</persName></hi> is an assistant professor at <orgName cert="definite" ref="http://viaf.org/viaf/125414591" sameAs="University of Alberta. Faculté Saint-Jean">Campus Saint-Jean, University of Alberta</orgName>. <ref target="#historical_oppression"><ref target="#gender_issue">Her research involves an interdisciplinary approach to studying cultural representation of human and civil rights abuses and women’s issues in literature, film, and media.</ref></ref> Dr. Wilson is director of the <orgName>Centre d’écriture bilingue</orgName> at Campus Saint-Jean, co-director of the <orgName>Petrocultures Research Group</orgName> (<ref target="petrocultures.com">petrocultures.com</ref>) and editor-in-chief of the online journal <title level="j">Imaginations: Journal of Cross-Cultural Image Studies/<hi xml:lang="fr-CA">Revue d’études interculturelles de l’image</hi></title>.</p>

                
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