Colour photo of Sheenagh Pugh in a garden, kneeling with a bed of white roses behind her, looking down at a black and white cat in her arms. She has straight, dark hair with grey roots, jaw-length,...
Black and white, half-length photo of Sheila Kaye-Smith from "Harper's Magazine", October 1922. She looks to her right, wearing a boat-neck dark top with a long beaded necklace; her wavy, dark hair...
Somewhat blurry black and white photograph of Shuhua Ling, leaning back in a chair, holding an open book with large pages. Her hair is straight, jaw-length, and brushed back; she is wearing a...
Black and white, head-and shoulders photo of Simone de Beauvoir (with someone else just visible behind her). She is wearing a heavy top with stripes over a white shirt. Her hair is mostly hidden by...
Photograph of James Barrie, not yet a baron, by Frederick Hollyer, 1892. Barrie sits, wearing a coat, jacket, and waistcoat, with his head tilted to one side and chin resting on his left hand.
Posthumous, three-quarter-length portrait of Sir Philip Sidney, possibly done by Hieronimo Custodis from an original attributed to Cornelis Ketel, 1578. Sidney stands facing the viewer with one...
Head-and-shoulders painting of Sir Walter Scott by Sir Henry Raeburn, 1822. Scott is wearing a black coat, high collar, and yellow waistcoat adorned with a heavy watch-chain. Scottish National...
Black and white photo of Sojourner Truth, wearing wire spectacles, a white cap, long, dark, long-sleeved dress, and a white shawl. She sits beside a small table with a vase of flowers on it,...
Black and white, head-and-shoulders photo of Sophia Jex-Blake aged twenty-five, a dozen years before she won her struggle for medical qualifications. Backed by dark drapery, she wears a simple,...
Photo of a note from Sophia Lee in Bath, about money she wishes Thomas Cadell, publisher of her most famous novel, "The Recess", of which only vol. i was yet out) to pay to William Woodfall, a...
Oval, head-and-shoulders stipple engraving of Sophia Lee by William Ridley after Sir Thomas Lawrence, published 1797. She is wearing a tall, turban-style white cap over her curled and powdered hair...
Photograph of a circular blue English Heritage plaque in the brick wall of Smith's "house of female habitation" in Palmers Green. It reads: "Stevie Smith, 1902-1971, Poet lived here 1906-1971."
Painting of Stéphanie-Félicité de Genlis by Adélaïde Labille-Guiard, 1790. She is seated in a green upholstered chair, her arms folded on her lap, one hand holding a small fan. She wears light...
Engraving of Susan Ferrier based on the half-length portrait by Robert Thorburn, 1836. She looks straight forward, wearing a huge lacy bonnet and a large, lacy collar or neckerchief over a dress in...
Black and white, half-length photograph of Susan Tweedsmuir, seated, in formal evening dress: a pale sleeveless gown with V neck and two medals pinned to it, white elbow-length gloves, a white...
Head-and-shoulders portrait in crayon of Susanna Blamire by Giacomo Cambruzzi, c. 1777. She has a fashionably high hairstyle with some locks hanging loose behind, and a scoop-neck blue gown.
Oval mezzotint of Susanna Centlivre by Peter Pelham, after D. Fermin, 1720. She gazes out of the picture to her right, wearing her hair brushed back in soft curls, with a lock falling on her...
Title-page of New York edition, 1814, of "Charlotte Temple, A Tale of Truth" by Susanna Haswell Rowson, first published in 1791. An oval portrait represents Charlotte, not Rowson. Up the left side...
Head-and-shoulders painting of Susanna Wesley in profile, artist unknown. Set against an outdoor background, she is wearing a lace cap over her dark hair, gold drop earrings and a white lace...
First page of Susanna Wright's "Directions for the management of Silk-Worms", posthumously printed in the "Philadelphia Physical and Medical Journal", 1 (1804): 103, with editorial praise of Wright...
Full-length portrait of Sydney Owenson, Lady Morgan, by René Théodore Berthon, c. 1818. She sits in an ornate chair, with an elbow on a desk bearing paper, an inkwell, and a vase of flowers; her...
Title-page of "Miss Owenson" (later Sydney Owenson, Lady Morgan)'s "The Lay of an Irish Harp or Metrical Fragments", New York, 1808 (the year after it appeared in England). The page features an...
Black and white photograph of Sylvia Beach, seated at a desk, with a bookshelf behind her. She is turned, looking off to the side, and she is wearing a plain black dress with a white collar.
Colour photograph of Sylvia Kantaris in academic dress when she received an honorary D.Litt. from Exeter University. Her gown is red, with light blue and white in the hood, her cap black with a...
Black and white, half-length photograph of Sylvia Pankhurst, standing looking into the camera, holding a thin book. Her hair is centre-parted and loosely pulled back; she wear a long skirt and a...
Black and white photograph of Sylvia Townsend Warner, looking to the left of the camera while holding a cigarette. She is sitting in a wooden chair and is shown wearing a black skirt and white shirt.
Frontispiece of Boston edition, 1825, vol. 1, of "Female Quixotism; Or, the Romantic Opinions and Extravagant Adventures of Dorcasina Sheldon" by Tabitha Tenney, first published in ?1799. The...
Head-and-shoulders oval mezzotint of Teresia Constantia Phillips after a painting by Joseph HIghmore. She looks directly at the viewer, in a gown that crosses over at the bust with lace in the...
The cover of the book The History of Miss Clarinda Cathcart, and Miss Fanny Renton, by Jane Marshall (Jean Marishall). The title text is in black on a white background. Below the text is an etching...
